In a pleasing tangle of sun-warmed melodies and 1970s influences,
Pearl Charles strikes a confident, if laid-back tone on
Magic Mirror, her sophomore album. The Los Angeles native has been bubbling under the radar for nearly a decade, trying her hand in a variety of indie subsets from lo-fi Americana to garage and psychedelia before landing on a more polished amalgam of vintage-flavored country-pop and West Coast soft rock. Her 2018 debut,
Sleepless Dreamer, showed plenty of promise and laid the framework for the more fully realized sound she achieves here. As merry a romp as it is, opener "Only for Tonight" sets a bit of a misleading tone as both its boisterous mood and
ABBA-inspired disco-pop are never again repeated during the set. After this,
Charles finds her groove, turning in a bevy of tightly crafted gems that flirt with various facets of '70s pop, from the
Fleetwood Mac stylings of "What I Need" and "Slipping Away" to the sweet "All the Way," which pairs swooping
George Harrison-esque guitar leads with bubblegum uplift. "Sweet Sunshine Wine" is another standout whose easy hooks give way to a marvelously campy psychedelic breakdown. The production and arrangements throughout are impeccable, warm, and well-suited to the kind of thoughtful, low-key songwriting at which
Charles excels. Neither basking in its vintage flavor nor overplaying its strengths,
Magic Mirror is the kind of subtle record that reveals its pleasures through repeated listens. Even
Charles' voice is a comfort; after a decade of mainstream mumblers and overwrought affectations, her enunciated vocal style brings a conversational tone to the songs. While similar in feel to her debut,
Magic Mirror is a significant step forward for
Charles, who really steps up her game here. ~ Timothy Monger