Memoryhouse may be
Max Richter's debut album, but he had been developing his unique mix of contemporary classical and electronics for years before it was released. He co-founded the
Piano Circus ensemble, who commissioned and performed works by
Arvo Pärt,
Brian Eno,
Philip Glass, and
Steve Reich (all of whom were influential on
Richter's own music), and used live sampling. He also collaborated with
Roni Size and
Future Sound of London on their groundbreaking 1996 album
Dead Cities. Yet
Memoryhouse, which is performed by the
BBC Philharmonic Orchestra under conductor Rumon Gumba, doesn't feel derivative of any of
Richter's previous projects; the album's pieces are rigorously composed but also highly emotive, seamlessly blending into a whole that feels like, well, a memory. Tracks such as "Europe, After the Rain" and "Maria, the Poet" exemplify the album's mix of
Glass-style minimalism fused with evocative samples and field recordings, territory
Richter covered even more brilliantly on his next album,
The Blue Notebooks. The main melody on "Europe, After the Rain" surfaces here and there on
Memoryhouse, taking different forms like "Untitled (Figures)"' delicate electronics and "Garden (1973)/Interior"'s drifting harpsichords and spoken word. "Sarajevo" and "The Twins (Prague)" underscore the album's Eastern European leanings, while pieces with short but descriptive song titles like "Landscape with Figure (1922)" and "Arbenita (11 years)" add to the feeling that they could soundtrack diary entries or captions on old photos. More dramatic tracks such as "Last Days" complement the intimacy of "Embers" and "Andras" nicely, and show the scope of
Richter's abilities. An homage to Europe and the haunting power of memories,
Memoryhouse is a stunning first album that announced
Max Richter as a major talent. ~ Heather Phares