Tom Petty has been fronting the Heartbreakers off and on (mostly on) for over 30 years now, and he and his band have been delivering a high level of no-frills, classy, and reconstituted American garage rock through all of it.
Petty often gets lumped in with artists like
Bruce Springsteen, whose careful and worked over lyrics carry a kind of instant nostalgia, but
Petty’s songwriting at its best cleverly bounces off of romance clichés, often with a desperate, lustful drawl and sneer, and he’s usually more concerned with the here and now than he is about musing about what’s been abused and lost in contemporary America.
Petty has always been more immediate than that -- until now, that is.
Mojo is
Petty’s umpteenth album, and technically, the first he’s done with the Heartbreakers since 2002’s sly
The Last DJ. This time out, he’s tackling the blues, trying to graft the Heartbreakers’ (
Mike Campbell on guitar,
Scott Thurston on guitar and harmonica,
Benmont Tench on keyboards,
Ron Blair on bass, and
Steve Ferrone on drums) patented '60s garage sound to the Chicago blues sound of Chess Records in the '50s. Sonically it certainly works, mostly because this is a wonderful band, but it seems a little tired, worn, and exhausted in spots, and there’s a regretful and meditative tone to so many tracks here, which is not what one expects from a band as vital as this one. But the playing is solid, especially
Campbell’s clear and precise slide guitar leads, and if things don’t always gel to the level of either the classic old Chess sides or this band’s own impressive legacy, the good news is that the group will tour it, and this is as good a rock band as there is in the land. ~ Steve Leggett