The Quick's one and only album, 1976's
Mondo Deco, is a glittering, goofy, and exhilarating snapshot of a crazy, fast-paced era. The mid-'70s were a time when bands could change their images overnight, singers could be discovered and forgotten over the course of one show, and the movers and shakers behind the scenes jockeyed to get their charges publicity and eventually record sales. Sort of like any other time in music history, but with more feathered hair and skinny ties.
The Quick had the requisite mover in
Kim Fowley, who managed to get them a record deal with Mercury Records and set up with producer
Earle Mankey, who had been in
Sparks, one of
the Quick's main influences. The combo picked up
Sparks' speedy hooks, high-pitched, campy vocals, and wacky lyrical content.
Mondo Deco was recorded at
the Beach Boys' Brother Studios, and the immaculate vocal harmonies of that iconic group were also something
the Quick aspired to assimilate into their sound. The result was gloriously catchy, light-footed, and fun power pop that raided the past at every chance, but sounded sleek and modern while doing it.
Mondo Deco kicks off with a cover of
the Beatles' "It Won't Be Long" that tweaks the arrangement into something twitchy and tense, balancing chunky guitar riffs, parping organ, and singer
Danny Wilde's ultra-twee vocals while never spilling a drop. The songs that follow also walk a tightrope between genius and folly, most often falling in favor of the former. "Playtime" is a rollicking mod rocker that lifts from
the Who, "Hillary" is an aching power pop ballad that's good enough to overcome the spoken word segments, "Don't You Want It" rocks as hard as
the Raspberries ever did, their cover of
the Four Seasons' "Rag Doll" comes off like a glam
Thin Lizzy, and "Hi Lo" features a chipmunk-chirpy chorus that's very difficult to dislodge. Add it all up and the lads in
the Quick made one of the best power pop albums of the '70s. Criminally overlooked and practically buried after its release thanks to a quarrel they had with
Fowley, the album really should be in the collections of all those who think they are true power pop aficionados or adventurous glam rock mavens. ~ Tim Sendra