Monk's Music is often cited as one of the focal points of
Thelonious Monk's six-year affiliation (1955-1961) with the Riverside label. Although the original disc clocked in at slightly over 30 minutes, packed into that half hour are not only the introduction of a few of
Monk's signature compositions, but also some amazing interactions from the assembled ensemble. Joining
Thelonious Monk (piano) during these two recording sessions are
Ray Copeland (trumpet),
Gigi Gryce (alto sax),
Coleman Hawkins (tenor sax),
John Coltrane (tenor sax),
Wilbur Ware (bass), and
Art Blakey (drums). The true meaning of the album's title exists beyond just
Thelonious, as the opening sacred prelude, "Abide With Me," was written by
William H. Monk. This brief piece features only the horn quartet, foreshadowing their importance throughout the album. The angular stride style featured during the chorus of "Well You Needn't" is tackled with the same nimble authority as
Monk's completely unfettered solos. If his ability to swing and his utilization of atomic clock accuracy have ever been questioned, the answer lies no further. So utterly free and fantastic, certain passages command immediate review to be fully comprehended. Hearing
Coltrane and
Hawkins together is admittedly part of the charm in these sides. "Ruby, My Dear" is bathed in the smoky essence of
Hawkins' rich textures and
Coltrane's playful cat-and-mouse aggression.
Blakey gently propels the rhythm, never getting in the way and sporting a serene snare groove throughout. "Off Minor" is largely led by
Monk, with solos that follow into and out of the memorable chorus that sparkles with the full involvement of the horn and rhythm sections. The same is true for this definitive version of "Epistrophy" -- perhaps the zenith collaborative effort between
Coltrane and
Monk. Additionally,
Blakey is in top form, with a solo that borders on spastic precision.