Badfinger's second album
No Dice kicks off with "I Can't Take It," a rocker that signaled even if
Badfinger still played pop and sang ballads, they considered themselves a rock band. What gave
Badfinger character is they blended their desire to rock with their sensitive side instead of compartmentalizing. Even when they rock on
No Dice, it's never earthy, like, say,
the Stones.
Badfinger's very sensibility and sound is modeled after the early British Invasion, where bands sang catchy, concise love songs. Yet there's a worldliness to their music absent from that of their forefathers, partially because
Badfinger styled themselves as classicists, adapting the sound of their idols and striving to create a similar body of work.
No Dice bears this out, boasting old-fashioned rockers, catchy pop tunes, and acoustic ballads. On the surface, there's nothing special about such a well-crafted, sharply produced, straight-ahead pop record, but the pleasure of a power pop album is in the craft.
No Dice is not without flaws -- a byproduct of an all-writing, all-singing band is that some songs don't measure up -- but it does achieve the right balance of craft, fun, and emotion, due in no small part to
Pete Ham's songwriting.
Ham dominates the record, providing note-perfect openers and closers, along with the centerpiece singles "No Matter What" and "Without You," the latter a yearning, painful ballad co-written with
Tom Evans. Collaborating with new guitarist
Joey Molland,
Evans wrote two other excellent songs ("I Don't Mind," "Better Days"), while
Molland's own "Love Me Do" chugs along with nice momentum. Still, the heart of the album lies in
Ham's work.. He proves that songcraft is what separates great power-pop from good, and it's what makes
No Dice a superb pop record.