On her 2011 Mercury-nominated debut, bewitching, guitar-slinging Brit
Anna Calvi delivered enough atmosphere to terraform her own planet. Elegant and poised, yet undeniably coiled and ready to strike at the first sign of a threat, songs like "Desire," "Suzanne & I," and "Blackout" sounded like a radio caught between
Roy Orbison's "Crying" and
PJ Harvey's "Man-Sized."
One Breath, her intoxicating sophomore outing, picks right up where her eponymous first impression left off, offering up a pair of fevered, reverb-drenched, bordello-rock gems in "Suddenly" and "Eliza," before shifting gears with the icy and elliptical "Piece by Piece," one of several tracks that owe more than a cursory nod to the punchy, overcast minimalism of late-period
Scott Walker.
Calvi's more comfortable with pushing the envelope this time around, and
One Breath feels like the work of an artist who has been given (or has at least given herself) carte blanche. Songs like "Cry," with its explosive blasts of
Carlos Alomar-borne feedback, the hypnotic "Bleed into Me," which sounds like
Jeff Buckley taking on
King Crimson's "Matte Kudasai," and the nervy, incredibly intimate title track, may mine different areas of the sonic map, but they remain firmly entrenched in the ever-expanding
Anna Calvi universe. Having eschewed much of the cavernous chamber pop of her debut for more challenging yet no less rewarding fare,
Calvi's less adventurous fans may find themselves at a loss as to how to process it all, but there's something both immaculate and broken about
One Breath that ultimately transcends its more difficult moments. ~ James Christopher Monger