In 1992, Prestige/Fantasy combined both of
Miles Davis' Live at the Barrel LPs on a 74-minute CD titled
Our Delight. For hardcore collectors, the release of
Our Delight was very good news. However, there are various reasons why this CD can hardly be called essential. The performances, which find
Davis and tenor saxman
Jimmy Forrest joining forces in a St. Louis club called the Barrel, are competent and likable but not mind-blowing. And the sound quality, although listenable, is not great (by early-'50s hi-fi standards). So when you add those things up, there is no way that
Our Delight should be recommended to anyone who isn't a serious collector. Nonetheless, these performances are not without historic value.
Davis and
Forrest (who are joined by a St. Louis rhythm section that consists of pianist Charles Fox, bassist John Mixon, drummer Oscar Oldham, and an unknown percussionist) did not play together very much, and
Our Delight gives listeners a rare chance to hear them playing side by side on familiar standards like "All the Things You Are,"
Tadd Dameron's "Our Delight," and
Dizzy Gillespie's "A Night in Tunisia." The CD also contains a dusky performance of the ballad "What's New," although ballads are not a high priority. And the type of funky, groove-oriented soul-jazz and honker music that
Forrest was famous for is excluded; the musicians don't perform "Night Train" (the saxman's biggest hit), and they stick to a bop/standards program.
Our Delight certainly isn't bad, but it doesn't deserve five-star praise either (unlike much of the bop and cool work that
Davis offered in the '50s). Even so, collectors will find
Our Delight to be interesting -- shortcomings, flaws, and all. ~ Alex Henderson