The Legends have made a point of confounding expectations by engaging in dramatic shifts in style from album to album, with the only constant being
Johan Angergård's unfailing way with a catchy melody. On 2009's
Over and Over, almost none of the glossy new wave sheen of 2006's
Facts and Figures remains; instead,
Angergård indulges in a love of noise pop that takes the raw and lo-fi sound of their debut record,
Up Against the Legends, and turns up the noise even louder (at least part of the time anyway). It's not the organic noise that comes from guitars and drums crackling with overloaded energy -- it's the white noise that amps make when they are pushed beyond control. It's the difference between a garage rock record of the '60s and
the Jesus and Mary Chain's
Psychocandy. Quite a few songs here have that layer of feedback; it can be a bit much, especially on songs (the title track, "Seconds Away," "Recife") where the noise seems grafted on for no real reason. Noise for noise's sake is a ploy that pretty much began and ended with
Psychocandy, and utilizing it here really adds nothing to the Legends' appeal. Much better are the songs that use noise and reverb as texture, like the opening "You Won" and "Turn Away," the songs like "Touch" and "Dancefloor" that capture the rambunctious and live sound of
Up Against, and those that take the slick new wave leanings of the last two albums and dirty them up a bit ("Something Strange Will Happen," "Heartbeats"). To help balance the occasional bursts of unpleasant noise and the gloomy lyrics that reference drugs, heartbreak, anguish, and -- worst of all -- being too old to dance,
Angergård adds some very sweet female vocals to the mix. His partner in
Club 8,
Karolina Komstedt, pops up a couple times, newcomer Charlotte Hurtig adds lovely harmonies to "You Won" and "Touch," and
Liane Moccia (who used to sing for Brooklyn pop band
Tralala) duets with
Johan charmingly on the bummer-in-the-summer anthem "Always the Same." A couple of songs ("Monday to Saturday," "Jump") even have the light and breezy bounce of another of
Angergård's projects,
the Acid House Kings. Overall, it's kind of an uneven record with more of a varying tone than usually found on a
Legends album, but
Angergård's songcraft and production savvy (discounting the tracks that are overloaded by noise) are strong enough to carry the day and make
Over and Over another strong addition to the Legends' impressive catalog.