This release for the 76-year-old baritone saxophonist does not fare as well as
Cerupa and
Scotch & Milk, primarily because his tone is thin and edgier than his partners, trombonist
Steve Davis and the wonderful tenor saxophonist
Eric Alexander. However, this is still a pretty good CD with nearly 73 minutes of vibrant, swinging modern jazz from the aforementioned horn players and especially the ever brilliant pianist
Harold Mabern. The first four cuts are
Cecil Payne originals. "Spiritus Parkus" is a bopper with strident trombone, fluttery tenor, and
Payne's dour accents. "Martin Luther King, Jr." is a poignant, regretful ballad replete with
Mabern's regal piano,
Payne's tart and sweet bari, and
Davis' weeping trombone. "James" has a cute, child-like melody but swings pretty hard, while "That's It Blues" is slower and proof positive of
Alexander's prowess in this style. Of the standards, "Lover Man" is
Payne's feature, and when the other more in-tune horns lay out, he takes charge and commands attention.
Payne sits back on
Miles Davis' "Tune Up," playing the bridge but not much of the hard and fast melody. The
Clifford Brown-associated "Delilah" has
Payne on flute (which is slightly less biting than his bari), while
Steve Davis wrote the title cut, which has a singsong melody and another definitive solo from
Alexander. With the aforementioned crew, along with up-and-coming drummer
Joe Farnsworth and bassist
John Webber,
Payne has all the support he needs. Perhaps his embouchure is wanting or he needs to tune up a little -- he is tonally challenged and that may dissuade some from championing him -- but more often than not, he's a successful team player, and that is evident in spades on this slightly off-putting but still enjoyable recording. ~ Michael G. Nastos