The Bear Quartet's first album, named after a minor character in the comic book Love and Rockets, is a definitive early album in the '90s Swedish indie scene. Although the Bear Quartet would later flirt with strings and horns in their music, their early sound was a bit rougher textured, with a taste for drones and guitar effects that puts them into the U.K. shoegazer camp (the hypnotic "Bob" could have come off a
Swervedriver album) but with a directness and passion that bring to mind more immediate American bands like
Dinosaur Jr. and
Sonic Youth, especially when Jari Haaplainen fires up the stomp boxes on the opening "The Juiceman" and the aptly titled "Headacher." Elsewhere, more lulling and tender songs like "Private Sue" demonstrate a facility for shading and dynamics impressive for such a young act. Anyone who thinks early
Radiohead albums were in any way unique should listen to
Penny Century; the Bear Quartet had it all figured out before
Thom Yorke ever discovered that he was a creep.