Tempting as it may be, don't read the dropping of the exclamation point from
Panic at the Disco's name as a sign that the emo quartet is in a rush to be taken seriously. Don't even take their blatant aping of
Sgt. Pepper's on
Pretty. Odd as indication that
Panic at the Disco wants to be taken seriously. There doesn't seem to be a serious bone within the bodies of any of the four members, but the wondrous thing about
Pretty. Odd is that it's impossible to discern what silliness is intentional and what is accidental, the product of a band discovering
the Beatles long after their 2005 debut
A Fever You Can't Sweat Out turned into a hit. There's a startling naïveté to
PATD's sudden immersion in symphonic psychedelic pop; the band is either too young or dumb to not realize that they're putting together familiar elements wrong, or that they shouldn't be attempting the baroque ballads and vaudeville shuffles that pepper this album...but they're smart enough to send-up the opening of
Pepper's, twisting
the Beatles' declaration that they were now Sgt. Pepper's Lonely Hearts Club Band around, claiming that they're they same band they always were. Of course this is a bald-faced lie, as the only clear remnants from
PATD's debut are the overly complicated song titles and fussy lyrics, but few will complain as the group retain their theatrical ridiculousness while unveiling a newfound panache for pop, all derived from their desire to pattern themselves after
the Beatles.
Panic at the Disco are hardly the first modern rock band to slavishly follow the example of their peers --
My Chemical Romance copied every one of
Queen's exaggerated moves for
The Black Parade, while
the Killers treated
Sam's Town as if it was a
Springsteen coloring book -- but
PATD's clueless, audacious thievery of
the Beatles pays back far greater dividends, partially because stealing from the Fab Four guarantees an emphasis on melody over style, but also because
PATD shows far more humor than
MCR or
the Killers. That humor -- and it's possible to laugh at and laugh along with the band in equal measure here -- makes
Pretty. Odd a giddy absurdity, as
Panic at the Disco is determined to have it both ways: to make grand, pompous music while retaining their identity as pranksters. The album is so out of control, it's hard to tell whether the group planned
Pretty. Odd to be a kaleidoscopic mess, or if occurred by happenstance, but that raggedness will appeal to the teens who loved
A Fever You Can't Sweat Out, but this bafflingly blurred Brit-pop could hook in older listeners, too, either through its genuine tunefulness or through pop junkies who will marvel at how "Folkin' Around" comes startlingly close to re-creating the sound of
the Byrds circa Sweetheart of the Rodeo, or how "Do You Know What I'm Seeing" is equal parts
Morrissey parody and homage. It all adds up to a pretty and odd record and it erases no suspicions that the band aren't quite sure of what they're doing, but the glorious thing about
Pretty. Odd is that the album works in spite of this...or perhaps because of it. Either way, this is a deliriously jumbled, left-field delight. ~ Stephen Thomas Erlewine