Questo è Amore is a double compilation album, put together by
Lucio Dalla himself, that collects some of his favorite and yet less well-known songs, arranged in reverse chronological order from 2011 to 1970. The first disc opens with four previously unreleased recordings: "La Leggenda del Prode Radamès," a 1940s ditty by
the Quartetto Cetra, a piano-led take on the achingly beautiful Neapolitan standard "Anema e Core," the brand-new single "Anche se il Tempo Passa (Amore)," and a newly recorded version of "Meri Luis" (originally included in his 1980 masterpiece
Dalla album) with guest
Marco Mengoni, of the Italian X Factor fame. From that point forward
Dalla revisits his entire discography, picking two tracks from every album he made between 2009's
Angoli Nel Cielo to 1977's Com'è Profondo il Mare (the first album for which
Dalla decided to write his own lyrics), and one from each of his early records (between 1970's
Storie di Casa Mia and 1976's
Automobili), when he used to work with different lyricists -- most notably poet
Roberto Roversi. Amazingly, the end product is as good, if not better, than a standard greatest-hits compilation. For one thing, while some of his bigger hits (particularly from the '80s) may have been victims to whatever production technique was considered commercially mandatory at the time, and sound today a little outdated, these songs -- minor only in reputation -- showcase both a sterling consistency and a uniqueness to
Dalla's songwriting that belies the facile generalization that he has been in the creative doldrums since the mid-'80s. "Tu Non Mi Basti Mai," "Mambo," "Tu Parlavi una Lingua Meravigliosa," or virtually any song included here is an exemplary representative of
Dalla's true originality as a composer and singer. Obviously, since all the key songs are missing, this may not be the right place to understand either
Dalla's popularity or enormous historical importance in Italian pop music, nor could it be deemed an apt summary of his career. Rather,
Questo è Amore should be taken as a sort of rarities or B-sides compilation -- but an exemplary one at that, one that makes an airtight case for the inimitable talents of
Lucio Dalla.