Contrary to what the more Manhattan-centric individuals in the jazz world would have us believe, European jazz vocalists don't have to record in the Big Apple to be legitimate -- a singer can find plenty of first-class improvisers to work with in places like Stockholm, Paris, Oslo, Copenhagen, and Amsterdam. So even if
Fay Claassen had never crossed the Atlantic Ocean and opted to work in Europe exclusively, the Dutch singer would have a lot to be proud of. That said,
Claassen did herself a nice favor when she traveled to the New York City/Northern New Jersey area in the early 2000s and recorded her second album,
Rhythms and Rhymes, which was released in Holland on the Jazz 'N Pulz label. The American musicians who join
Claassen on this CD include, among others,
Toots Thielemans, guitarist
Mike Stern, pianist
Kenny Werner, trombonist
Steve Davis, and vibist/marimba player
Joe Locke -- an impressive cast, certainly, and one that obviously understands where
Claassen is coming from as a singer. Although
Claassen swings, she isn't an aggressive or forceful sort of vocalist -- her post-bop outlook is urbane, sophisticated, elegant, and refined. And thankfully, she has sympathetic accompaniment whether she is turning her attention to
Jacques Brel's "If You Go Away,"
Michel Legrand's "Once Upon a Summertime," or
Miles Davis' "Seven Steps to Heaven."
Claassen sings in perfect English most of the time, although she is equally expressive when she detours into French on
Sting's "La Belle Dame Sans Regrets," and Portuguese on
Ivan Lins' "Comecar de Novo." Clearly,
Rhythms and Rhymes is a solid and memorable document of
Claassen's visit to the northeastern United States. ~ Alex Henderson