While not a traditional folk album in a strictly purist sense,
Rice (originally released in 1998 as half of the two-disc set
Red Rice and reissued on its own in 2001) is much more in the vein of, say, early
June Tabor or
Carthy's mother, the redoubtable
Norma Waterson, than the eclectic pop of its twin album,
Red. With the exception of a couple of fiddle tunes, most notably the tricky "Haddock and Chips," that are
Carthy originals, all of the tracks are traditional English folk songs. Not all of them are given strictly traditional settings, as the hazy overdubbed self-harmonies at the end of the lovely "The Snow It Melts the Soonest" attest, but the arrangements, using the same musicians as on
Red, are entirely acoustic. The song selection is excellent, from the humorous "Herring Song" to the trio of dance tunes that closes the album, featuring
Carthy's fiddle accompanied by melodeon, guitar, and the amplified clog-dancing of harmony singer
Lucy Adams. A richly satisfying collection,
Rice seems to be intended to show what
Eliza Carthy was capable of in a traditional folk vein before she left folk music almost entirely with her next album, 2000's art rocky
Angels & Cigarettes.