Supporters of
Destroyer mastermind
Dan Bejar have been regaled with enough material over the previous two years to keep even the smallest fan site busy. Between
the New Pornographers' 2005
Bejar-heavy
Twin Cinema and the
Destroyer/
Frog Eyes EP
Notorious Lightning and Other Works, the hyper-literate,
Bowie-loving Canadian has been on a roll.
Destroyer's Rubies, his fifth full-length offering, is an amalgam of
Streethawk: A Seduction's glam rock posturing,
This Night's guitar-heavy psychedelia, and
Your Blues' apocalyptic wordplay.
Bejar's imagery is as impenetrable and volatile as ever -- "Dueling cyclones jackknife/They got eyes for your wife and the blood that lives in her heart" -- but musically, he's forged a solid enough foundation to ground it. Part of
Bejar's charm comes from his innate ability to balance sadistic verse, music geek grandstanding, and bawdy refrains with enough major seventh chords to score a full season of Brady Bunch segues -- "A Dangerous Woman Up to a Point"'s pre-chorus crescendo declares "Those who love
Zeppelin will eventually betray
Floyd/I cast off those couplets in honor of the void" before exploding into "I pictured heaven on earth made of clay, as your form dictated."
Rubies is heavy on pop craft, with standout cuts like "European Oils," "3000 Flowers," and the manic title track echoing 2005's "Broken Breads" and "Streets of Fire," but it's more than just the art-house theater to
the Pornographers'
Twin Cinema, it's the absinthe-drunk projectionist reveling in the sheer hedonism of it all. ~ James Christopher Monger