London singer/songwriter
Seal certainly made a name for himself with his eponymous debut despite the comparison to fellow London mate, the raspy soul
Terence Trent D'Arby. But
Seal is more relaxed, and his craftsmanship is delicate and well defined. Lyrical depictions are light, songwriting is personal, and production credits are most impressive. With star-studded work from both
Trevor Horn (
Tina Turner,
the Art of Noise,
Rod Stewart) and
Trevor Rabin (
Yes,
John Miles),
Seal is surely a critical hit. Becoming a mainstream radio mainstay for the summer of 1991, the single "Crazy" carried heavy notoriety for
Seal and instantly made him a household name. His collaborative effort with
Adamski for "Killer" was a massive club hit thanks to its Hi-NRG strength, but house elements are showcased other album tracks such as "The Beginning."
Seal is not necessarily a dance innovator, but he makes for a select crossover artist with impeccable talent worthy of heavy acclamation and critical recognition. The general mood captured on his debut album is refreshing for the early-'90s mediocrity of post-hair metal and manufactured synth bands. His music was a major force throughout the decade and well into the new millennium. With
Trevor Horn at his side, it's undeniable. Together they go for exactly what
Seal is looking for: the beauty, desire, and simplicity in creating a new sound.
Seal is the face and
Horn is the face behind it all. ~ MacKenzie Wilson