Sharon Isbin's friends, a combination of old and new associates, are an eclectic lot on this album, and it may seem curious that a disc featuring jazz guitarist
Stanley Jordan as well as rock guitarists
Steve Morse,
Steve Vai, and
Nancy Wilson of Heart, not to mention new age saxophonist
Paul Winter, would be slated for Billboard's Traditional Classical Albums chart instead of the Classical Crossover Albums chart. The reason is that
Isbin has brought her guests into her world, for the most part, rather than venturing into theirs. One exception is a reading of
Heart's "Dreamboat Annie," on which
Wilson not only plays but also sings a few of the lyrics usually handled by her sister
Ann.
Morse and
Vai bring their electric guitars along and wield them in characteristic ways on
Joaquín Rodrigo's Adagio from Concierto de Aranjuez and Agustín Barrios-Mangoré's Allegro, respectively, but their playing really just adds color, especially
Morse, who only comes in around the nine-minute mark after an extensive interplay between
Isbin and
Romero Lubambo.
Jordan also adapts himself to
Quique Sinesi's Sonidos de Aquel Dia, even if the arrangement is his. Actually, a substantial part of the album belongs to
Isbin alone, and it is dominated, as may already be apparent, by Spanish material, a point hinted at in the word "Passions" in the title. For example,
Isbin takes on an arrangement of Isaac Albéniz's Asturias arranged by her old teacher,
Andrés Segovia, and concludes with two parts of Mangoré's La Catedral. Her major partner is
Lubambo, who also joins in on a version of
Antonio Carlos Jobim's "Chovendo na Roseira." Still, the various guests add interesting flavors to this sampler, and an entire album with one of them might make for an interesting listen. ~ William Ruhlmann