Saddled with late-'70s production techniques, there is nothing, on the surface, to recommend this record. A close look at the songwriting credits, though, will reveal a beginning of
Matthews's fascination with the work of great
Jules Shear. (
Matthews would later do an entire album of
Shear's songs). Still, even this track is burdened by a cheesy
David Sanborn-style sax line. ~ Jim Worbois