With
Fergie Frederiksen (vocals) and
Jim Odom (guitar/vocals) respectively replacing
Jeff Pollard (electric/acoustic guitars/lead vocals) and
Bobby Campo (percussion/vocals), LeRoux hoped to build upon the success of their previous effort
Last Safe Place (1981). The infusion of fresh talent and a desire to find an audience among the AOR marketplace took the band in a slightly different direction.
Frederiksen immediately stakes his territory as the title track "So Fired Up" commences with a hell-raising wail that leads into the upbeat, synth-dominated outing. "Lifeline" is another energetic, fist-pumping side bearing little resemblance to distinguish it from the likes of
Autograph,
Fastway or
Ratt. "Yours Tonight" is a transformative power ballad that quickly evolves into a generic, if not excessive, hard rock song. Contrary to LeRoux's former long-players, there isn't much in the way of diversity as "Turning Point," "Don't Take It Away," "Look Out" and the autobiographical single "Carrie's Gone" -- written about
Carol Burnett's daughter, whom
Frederiksen was concurrently courting -- are all pretty much the same hapless hair metal style, which was undeniably popular at the time. A sole momentary diversion is the somewhat predictably pop-ish "Wait One Minute," sounding similar to post-
Frontiers (1983)
Journey. Gone were the days of LeRoux's great and varied compositions such as "New Orleans Ladies," "Thunder 'N Lightnin'" and "Mystery." It's no wonder the combo dissipated for the remainder of the '80s. When they resurfaced some 20 years later with
Ain't Nothing But a Gris Gris (2001) it was with a renewed sense of tradition and emphasis on well-crafted tunes and a return to the group dynamic that dominated LeRoux's first few LPs.