The debut album by the Australian quartet Primo was a lovely, scruffy, and concise guitar pop record that hit the sweet spot between sugar-coated indie pop and nervy post-punk. Made by members of TERRY and the Shifters, Amici was a fine entry in the ever-growing catalog of great pop music emanating from their country during the late 2010s and early 2020s. Sogni is more of the same in the best possible way. It's tempting to say that the band sound tighter or that the songs have a little more zip or that their confidence has grown. Really, though, all those things were fully in place on their debut -- their sound is almost exactly as spare and taut, the songs are just as snappy and straightforwardly hooky as before, and they still sound like they are having a low-key blast playing together. That's not to say the record is an exact copy of their previous one; there is a little bit more power in their playing, especially in the guitars. And tracks like "Love Days" and "Best and Fairest" rock a little harder than anything on Amici. Mostly, though, Sogni is like the second episode of a really fun, totally satisfying television series. It builds just a little from their premiere and does just enough to keep the viewers (or in this case, listeners) on the edge of their seat wondering what might happen next. If it's another record that sounds pretty much like this while still delivering catchy, scrappy pop nuggets that strut with a melancholy grace, that would be ideal.