The program of this hybrid SACD from Exton features three of the most lively and colorful works by
Igor Stravinsky and the special audiophile production admirably suits them. The
Netherlands Radio Philharmonic Orchestra, under the direction of
Jaap van Zweden, delivers sparkling performances of the 1911 version of the ballet Petrushka and the 1947 version of the Symphonies of Wind Instruments, and the
Netherlands Radio Chamber Philharmonic presents the suite from Pulcinella with vivid colors and rhythmic verve. One can't help noticing the extraordinary brightness of these recordings, and the high-pitched instruments sometimes seem to dominate the bass, though when it's absolutely essential that the lower parts should be heard with full force, there is sufficient volume and presence across the sonic spectrum. Close microphone placement, particularly over the woodwinds, guarantees that the parts are focused and clear, in some cases even to the point where key clicks are audible. In terms of interpretation, however, there have been more dramatically gripping Petrushkas, and
van Zweden's scintillating showcase emphasizes dazzling timbres over dramatic tensions, thereby making this performance emotionally shallow. However, Pulcinella and the Symphonies of Wind Instruments, being cooler in temperament, lend themselves well to an "objective" treatment, and
van Zweden's attentiveness to crisp sonorities and sharp details serves these pieces wonderfully.