Nu rave felt like a distant memory by the time
Klaxons' second album
Surfing the Void appeared, much longer than three years after their debut
Myths of the Near Future kick-started the style’s day-glo mix of rock and dance, winning the Mercury Prize along the way. Accolades like these meant expectations were high for the band’s follow-up, especially from
Klaxons’ label.
Surfing the Void had a famously difficult birth, with an entire album’s worth of songs scrapped for being “too uncommercial” and aborted sessions with
Simian Mobile Disco's
James Ford among other producers. The band’s work with
Slipknot and
At the Drive-In producer
Ross Robinson got the green light from their label; while
Klaxons don’t quite go from nu rave to nu metal on these songs, the album is so dense and urgent that they sound more like their namesakes than they did before. The single “Echoes” is downright ingratiating, from its huge choruses to its undulating basslines, but from there, the band doesn't just surf the void, they do their best to fill it with hard-edged music and ayahuasca-fueled lyrics about time travel and spiritual enlightenment.
Klaxons showed a fondness for chaos on
Myths of the Near Future's “Atlantis to Interzone” and “Four Horsemen of 2012,” but it’s a full-blown love affair on the title track. With its furious, simultaneous piano and guitar riffs, “Surfing the Void” recalls a trippier “Atlantis." Meanwhile, “Flashover” invents metal-prog-pop, somehow turning the phrase “myriads of silver discs” into a hook and making its abrasiveness catchy. “The Same Space” shows the band still has a flair for bittersweet melodies, and though
Surfing the Void is less accessible than
Klaxons' debut, things never get completely out of hand. What may be most interesting about
Surfing the Void is
Klaxons' newfound earnestness, which feels like a byproduct of how hard it was for them to get the album made. Where they used to be cerebral smart alecks dropping allusions to Pynchon and Burroughs, they now sing equally cryptic but heartfelt lyrics about “true horizons” and “imaginations opening.” ~ Heather Phares