The Familiar is the first meeting between composer, multi-instrumentalist, and arranger
Roger Eno -- yes, brother of
Brian -- and singer, lyricist, and woodwind player
Kate St. John of
the Dream Academy.
St. John's lyrics and voice adorn five of the 13 songs here, the rest feature
Roger Eno's piano accompanied in various settings, some with woodwinds and strings, such as the haunting and lovely "The Wonderful Year," a small chamber piece that contains a gorgeous cello solo by Sarina Sobirovena.
St. John's vocals are small, nearly precious, but so wrap themselves around
Eno's compositions that they are, in essence, inseparable from them. Take "We Stay Still." As her oboe and the strings slip almost undetectable under his piano, her multi-tracked vocals phrase metaphysical ponderings that sound perfectly natural. Call this music what you will, but pop it's not. It's Baroque, it's elegant, and it's self-conscious, but it's also memorable to listen to -- there's plenty here to engage a listener, however loosely. Producer
Bill Nelson brings his guitar to a number of the tracks like this one and the airy opener, "Our Man in Havana"; brother
Brian's treatments and synthesizer very casually grace a few numbers as well. There is a sheer musicality here that works despite the rather restrained conceptual and compositional elements, and will no doubt lend it the favor and small mystery of repeated listenings. Fans of
Virginia Astley's and
Ryuichi Sakamoto's more classical-oriented material will find much to like on
The Familiar. ~ Thom Jurek°/