Vocalist
Katie Melua's 2010 album
The House is an atmospheric, romantic, and sometimes eerie album of arty adult alternative pop. While longtime producer
Mike Batt is on board here, journeyman electronic producer
William Orbit takes the main production helm. The result is
Melua's most mature album to date and one that will certainly draw well-earned comparisons to such art pop icons as
Kate Bush and
Tori Amos. And while immaculately produced tracks like "The Flood" and "Twisted" do evince
Bush's literate and operatic sound, they also bring to mind the grand, retro-leaning approach of guitarist/singer-songwriter
Richard Hawley. Which isn't to say that
Melua hews closely to any kind of '60s pop; on the contrary, these are clearly contemporary songs with a modern point of view. But there is a bit of moody
Nick Drake-style guitar work and the way the songs build and swoop, often with symphonic backing (the
Royal Philharmonic Orchestra appears here), is very much in keeping with
Hawley's particular Brill Building meets coastal British town grandeur. In that sense, the album is a bit of a grower and has an overall soft, reflective quality. As with most of
The House, songs like the folk-inflected opener "I'd Love to Kill You," the Eastern-tinged "The Flood," and the yearning and pretty "Red Balloons," take time to build and grab you slowly with deft, biting lyrics and
Melua's lilting, burnished vocals. ~ Matt Collar