John Andrew Fredrick's goal to pursue an elegant, post-punk-tinged vein of reflective pop/rock continues on
The Hypnotizing Sea, one of the better titles of the
Black Watch's now extensive discography. Certainly some of his influences are far from hidden: calling a song "Dylan Dylan Dylan" leaves little room for doubt, as does calling another "The Shakespeare Song." But in both cases the intent is not to claim a mantle but to cleverly acknowledge inspiration, the former's harmonica-tinged arrangement a gentle homage (killer line, meanwhile -- "Dylan, well he ain't my saviour/That is Jesus' job..."). Everything cracks fiercely to life from the start, with "Innercity Garden" beginning with a huge, blistering riff that lives in the red by default, while
Fredrick delivers the vocals in his usual clear, rich style as he rides a gentle glam-descended verse structure to the full. Nothing is quite so loud sounding on the rest of the album, but it's a great call to arms for an enjoyable effort. What's perhaps most remarkable in listening to
The Hypnotizing Sea is realizing how readily
Fredrick has shown how he can create enough twists and turns on his well-established sound to still intrigue a listener, much like, say, groups such as
the Church or, until their untimely end,
the Go-Betweens. Both have their clear influence on
Fredrick's work as well, but he has established his own individual place, audible on the reflective acoustic/electric "The Teacup Song" and the exuberant, shoegaze-tinged, full rush of the instrumental "Room 407." The best line of the whole album is on the wonderful title track: "You see it's not that easy to hang with freakazoids/On account of most of them are fully unemployed."