Twenty-four-year-old folksinger
Judy Collins' performance at Town Hall in New York City on March 21, 1964, was billed as her first concert, which is to say, her first appearance in a theater, as opposed to the folk clubs she was accustomed to playing. It was a big step up for a performer who was just releasing her third album and was gradually moving from a traditional repertoire to one consisting largely of songs written by her contemporaries, many of them having a political bent. Unlike most live albums,
The Judy Collins Concert, culled from the Town Hall show, consisted of songs the singer had not previously recorded, with the exception of
Shel Silverstein's "Hey Nelly Nelly," which was on the then-new
Judy Collins #3. And, except for the unknown authors of traditional tunes "Bonnie Boy Is Young," "Wild Rippling Water" and "Cruel Mother," the songwriters were all living.
Collins gave special attention to coal-mining veteran Billy Edd Wheeler ("Winter Sky," "Red-Winged Blackbird," "Coal Tattoo") and
Tom Paxton ("The Last Thing on My Mind," "My Ramblin' Boy," "Bottle of Wine"), and the audience seemed familiar with
Paxton's songs, applauding the opening bars of "Ramblin' Boy" and singing along with it, and "Bottle of Wine" (which did not become a hit for
the Fireballs until almost four years later).
Collins' calm, considered performance style sometimes gave way to a more strident tone if that was appropriate to the material, and she gave particularly stirring renditions of
Fred Neil's "Tear Down the Walls" and
Bob Dylan's "The Lonesome Death of Hattie Carroll" (which had only just appeared on his
The Times They Are A-Changin' album). The latter and Richard Weissman's "Medgar Evers Lullaby" treated the subject of Civil Rights, the most significant political issue of the day, and "Hey Nelly Nelly," which concludes the album, drew direct parallels between the Civil War a century earlier and the recent struggles. (The album is also notable for introducing "Me and My Uncle," a tale of the Old West written by
John Phillips, then the leader of
the Journeyman and later of
the Mamas & the Papas.
Phillips always denied remembering writing the song at a party
Collins attended, but said that as each royalty check came in, particularly after
the Grateful Dead recorded the song, his memory improved.) ~ William Ruhlmann