With an endearing name like
the Julie Mittens, one would expect this Dutch trio to be one of those impossibly cute twee pop bands who play 90-second pop-punk tunes about lollipops and kittens. There are probably forms of music that have less in common with that style than
The Julie Mittens, but it's hard to imagine what they are. Primarily inspired by the free improvisation scene of the '60s (the members name
John Coltrane's legendary
The Olatunji Concert: The Last Live Recording as their direct inspiration),
the Julie Mittens are fundamentally a rock power trio with little to no interest in playing rock music. The four tracks are live-in-the-studio improvisations named after the date they were recorded (tracks one and three are both called "December 12, 2006") and ranging in length from nine-and-a-half to just over 22 minutes. Guitarist Aart-Jan Schakenbos favors extended drones, often exploring all the harmonic possibilities of a single note for several minutes at a time. Bassist Michael Van Dam and drummer
Leo Fabriek disdain the traditional rhythm section role; even on the almost rockist "April 3, 2007," the shortest and most traditionally structured track here,
Fabriek favors machine-gun drum rolls and pealing cymbal crashes over a standard groove, although Van Dam's hypnotic repeated bass pattern does provide a solid foundation for
Fabriek and Schakenbos to wig out over. Crucially, however, that track is about as close as
The Julie Mittens ever gets to the pure unstructured noise that many assume free improvisationm by definition, must be. The other three pieces are exercises in tension and release, with all three players exhibiting admirable control and collective skill. Not nearly as chaotic as many examples of the style,
The Julie Mittens is a solid stepping stone into the world of free improv for fans of instrumental post-rock bands like
Mono or
Godspeed You Black Emperor!. ~ Stewart Mason