It's probably difficult for many contemporary music fans to appreciate how revolutionary
Gang of Four sounded when they first burst out of the British post-punk scene in 1979, a time when the first wave of U.K. punk had yet to play itself out. Though the shards of expressive noise in
Andy Gill's guitar clearly nodded to punk, the propulsive bass and drum patterns were informed by dance music, a novel idea when "disco sucks" was still in the active vocabulary of most card-carrying new wave fans. At the end of the '70s, the politics inherent in rock songwriting usually meant broad sloganeering, while
Go4 dealt with the trickier nexus where revolutionary theory met the realities of daily life, and did so with intelligence, blunt honesty, and mordant wit. The band enjoyed upending people's expectations, and that tradition is kept alive with
The Problem of Leisure: A Celebration of Andy Gill and Gang of Four, a tribute album coordinated by members of the band that was in the works well before
Go4 guitarist and leader
Gill died on February 1, 2020. Since this is meant (at least in part) to honor
Gill as a fallen visionary, one might imagine the collection would be dominated by angular guitars and brutalist funk, favoring
Gill's rockist side. There are several cuts that happily go in that direction, especially the rabble-rousing interpretation of "Natural's Not in It" from
Rage Against the Machine's
Tom Morello and
System of a Down's
Serj Tankian, a brittle take on "Not Brave Men" from
Red Hot Chilli Peppers reprobates
Flea and
John Frusciante,
Idles' heady charge on "Damaged Goods," and
Helmet's aggressive tear through "In the Ditch." But just as often (if not more so),
The Problem of Leisure favors tracks that focus on the beats instead of the guitars, with sleek but potent electronic rhythms taking the place of the fierce but more human tone or the guitars. Philosophically, this absolutely makes sense within
Gang of Four's vision, which was always about groove as much as skronk, and
Hotel's "To Hell with Poverty,"
Gary Numan's "Love Like Anthrax," and Dado Villa-Lobos's "Return the Gift" all take their subversive messages to the dancefloor.
Gail Ann Dorsey's "We Live as We Dream, Alone" and
Warpaint's "Paralyzed" lend an organic R&B mood to the music that's more approachable without taking the edge off the messages, and
the Sounds make a game attempt to reshape "I Love a Man in a Uniform" into new wave pop.
The Problem of Leisure: A Celebration of Andy Gill and Gang of Four seems designed less as a walk down memory lane for aging leftist post-punks than a tool to make current listeners aware of
Go4's ideals and legacy, and though (like most tribute albums) its broad palette makes it somewhat inconsistent, the thinking is fresh, bold, and impassioned enough that it should open the ears of both fans and novices should it cross their paths. ~ Mark Deming