After releasing two albums devoted entirely to
Beatles tunes in a year and a half (
Meet the Smithereens! and
B-Sides the Beatles),
the Smithereens clearly wanted to prove that they were still a band capable of more than just coasting on the strength of another act's legacy, and with this in mind they've decided to boldly branch out -- and spend an entire album covering
the Who.
The Smithereens Play Tommy is, you guessed it,
the Smithereens' own rather faithful interpretation of
Pete Townshend's rock opera about a deaf, dumb, and blind pinball champion and spiritual leader, though they have tightened it up quite a bit, editing the piece from 24 selections to a lean 13 tunes and zipping through the work in 41 minutes. It's hard not to be baffled by
the Smithereens' decision to become a cover band, but they do seem better suited to interpreting
the Who than
the Beatles; guitarist
Jim Babjak may lack
Townshend's epic vision and sense of flourish, but he gets the crunchy bash of this music right, and drummer
Dennis Diken and bassist Severo Jornacion find a way to pare down the style of the most manic rhythm section in rock history while achieving some approximation of their power and musical sense. Lead vocalist
Pat DiNizio's deep, moody tone doesn't match
Roger Daltrey's style any more than it did
Paul McCartney's or
John Lennon's, but at least these songs are better suited to the dark, dramatic feel of
DiNizio's instrument, and
Babjak and
Diken contribute lead vocals on a few tunes that demand something lighter. And while this condensed version of
Tommy makes about as much narrative sense as the original (which is to say not much), from a musical standpoint the feel of the album is pretty close to
the Who's version, especially the several live recordings of the opera that have appeared in recent years. So
the Smithereens do better by
the Who on
The Smithereens Play Tommy than they did by
the Beatles, but that doesn't change the fact that as long as
the Who's
Tommy remains readily available (and it's actually easier to find than this disc), this album is little more than an oddity for
Smithereens completists and
Who fans obsessive enough to want every cover version of their favorite band's work. In short, this gets an A for effort but a C- for practical utility. (
The Smithereens do deserve credit for hiring William Stout to do the cover, whose witty cartoon artwork graced the sleeves of several top-notch
Who bootlegs.) ~ Mark Deming