This 11-cut greatest-hits collection of the recordings of
Charles Mingus is simply comprised of what are considered to be his best-known titles recorded for the Atlantic label between 1956 and 1959. The title tune from Pithecanthropus Erectus kicks off the set in grand style with fine solos by
Jackie McLean on alto and
J.R. Monterose on tenor. It is followed by "Profile of Jackie" from the same set. It's followed by the title track from
Tonight at Noon, which wasn't released until 1964. Two other cuts from that same session, the wonderful "Haitian Fight Song" and "Reincarnation of a Lovebird," with longtime bandmates drummer
Dannie Richmond and trombonist
Jimmy Knepper, were originally released on The Clown. The latter two cuts are truly among the most loved tunes by the great composer, bandleader, and bassist. Three cuts from
Blues and Root -- issued in 1960 -- follow, including
Bobby Timmons' "Moanin'," and "Cryin' Blues." Once more,
McLean, along with
John Handy, hold down the alto chairs, with
Richmond and
Knepper as well as pianist
Horace Parlan and tenor boss
Booker Ervin in the mix as well. The final three tracks, "Ecclusiastics," the beautiful "Passions of a Man," and "Wham Bam Thank You Ma'am" are all taken from the
Oh Yeah session, issued in 1962. This date included the up and coming
Roland Kirk on his trademark array of instruments, with
Ervin,
Knepper, bassist
Doug Watkins, and
Richmond on drums.
Mingus played piano and did his vocal thing on the final cut. Unfortunately, nothing form
Mingus at Antibes is included here, but as a consolation, there are excellent liner notes by
Neil Tesser, author of the Playboy Guide to Jazz. This is a decent, even fine introduction to some of the best recordings by
Mingus before his jump to Columbia, and can be had for a nominal price tag by the curious. ~ Thom Jurek