With help from part of the
Talk Talk clan, producer
Paul Webb and engineer
Phill Brown, former hard rocker from Fife
James Yorkston's third full-length album is easily his warmest and most accessible folk offering. Gently rolling opener "Summer Song" is nearly a blueprint of the album as a whole;
Yorkston harmonizes dolefully for three-quarters of the track with spare backing, and then a clarinet and double bass wall infuses warmth and makes the world well. Gorgeous standout "Steady as She Goes" picks up right where the opener leaves off, with
Yorkston alternating between a confessional talky
Arab Strap voice and a falsetto that drifts evocatively around strings, mandolins, a weepy harmonica, and train-like brushed drums. He returns to spoken word delivery with the slow-burning and spooky "The Brussels Rambler" and the autobiographical "Woozy with Cider," where he wonders aloud if his music will eventually make him rich over an organic pastiche reminiscent of
Steve Reich. The influence and hands of
Webb and
Brown are omnipresent, particularly in the spare plucking of "Orgiva Song," which suggests the meeting place of
Bert Jansch and
Mark Hollis. Just as he brought an experimental, modern touch to his collaborative work with
Beth Gibbons,
Webb helps
Yorkston here to straddle multiple genres, from indie rock to introspective jazz all in a base of traditional acoustic folk. The album is a brittle, introspective affair, but it's brimming with perfectly timed moments of emotional release, beautiful atmosphere courtesy of
Webb's masterful oversight, expert folk playing, and
Yorkston's rich voice, poetic delivery, and unerring songwriting. It's simultaneously cool yet soul-revealing, sparse yet full, experimental yet grounded, and mournful yet uplifting.
The Year of the Leopard is
James Yorkston at his very best.