Sauntering into a smoky roadside dive with a cowboy hat, rapper
Yelawolf gives his audience a reintroduction on his third album,
Trial by Fire, which finds him embracing the sounds of his Southern roots. Fans of his earliest output will notice a marked difference here -- no more
Killer Mikes or
Raekwons -- but for fans of
Love Story,
Yelawolf provided enough foreshadowing on that 2015 LP that this shift shouldn't be too jarring. Continuing to mine Detroit for artistic inspiration,
Yelawolf has jumped from being Lil'
Eminem to
Kid Rock Jr., aping the latter's calculated late-era evolution and sonic blend of country, rock, and hip-hop. However, unlike
Kid Rock,
Yelawolf can deliver a believable and authentic confessional, and those tracks end up being the more memorable on this album. From "Son of a Gun" to "Row Your Boat,"
Trial by Fire works best when
Yelawolf digs deep, reflective and nostalgic for the past, unfurling his rhymes over pensive productions. The best guest appearances are provided by Joshua Hedley on the
Johnny Cash-lite "Shadows"; Bones Owens -- who plays on the majority of the album -- on "True to Yourself"; country singer
Lee Brice on the urgent "Violin"; and a surprise turn by
Wynonna Judd on the haunting "Keeps Me Alive." On the other hand, a predictable duet with
Kid Rock on "Get Mine" tries its best to create a memorable teacher-student moment but ends up sounding like
the Beastie Boys with missing teeth and jugs of moonshine, while a confusing collaboration with drummer
Travis Barker (
blink-182), rapper
Juicy J, and bassist
Flea (
Red Hot Chili Peppers) on "Punk" attempts too much while delivering too little. Yet, despite all these disparate ingredients in
Yelawolf's hick-hop stew, it remains cohesive both as a reflection of his artistic ambitions and a product that is likely to please his audience. He's searching for poignancy and artistic maturity and, here and there, he manages to hit the mark on
Trial by Fire. ~ Neil Z. Yeung