On her second album (roughly translated as "twenty to thirty thousand days"), French chanteuse
Francoiz Breut resembles a sultry lounge singer, while songwriter/partner (and notable vocalist in his own right)
Dominique A is like a jazz-obsessed beatnik. Most lyrics are in French, though
Breut says plenty with her half-spoken, half-sung grief. When they decide to plug in the electric guitar, like on the playful "L'origine du Monde,"
Breut proves that she can be fashionably upbeat. The Western-flavored guitar threads
Vingt a Trente Mille Jours together, while the violins give the record its most exquisite moments.