Tenor saxophonist
Sonny Rollins returned from a self-imposed two-year sabbatical in 1962 with a fury, recording prolifically and exploring various directions from outside to inside. The five cuts on this LP were originally recorded in New York, with
Rollins mixing standards and originals and providing his take on what was then an exploding trend, the bossa nova.
Rollins' characteristically huge tone, relentless harmonic and rhythmic inventiveness, and fierce solos were consistently impressive. Not only did he state the melody clearly and superbly, but his ideas and pacing were remarkable; no solo rambled and his phrases were lean, thick and furious. While this wasn't in the class of
Rollins' late-'50s epics, it was a well-done date.