One of the most understated but spectrally beautiful of all
Michael Chapman's albums,
Window evidences just why producer Gus Dudgeon was in such demand during the early '70s, as he allows the idiosyncratic
Chapman to weave each and every one of his musical moods through the sequence, without the record ever appearing to lose its grip. At the time of release, most attention was on the closing craziness of "She Came in Like the '6:15' and Made a Hole in the Wall," as performed (says the sleeve) by the Massed Voices of the Dean Teagarden Singers, featuring the Screaming Skull, the Bombay Banger, and Arthur Dogg. However, there are equal (if less lunatic) joys to be drawn from the reflective "An Old Man Remembers," while the opening "Lady on the Rocks/Song for September" pairing and the disused bookends of "First Lady Song" and "Last Lady Song" all rate among the young
Chapman's most engaging works. [In 2004 BGO reissued
Window along with its sequel, Wrecked Again, as a two-CD set.] ~ Dave Thompson