Beyond category or idiom, audacious in its very idea,
Herbie Hancock and
Wayne Shorter perform a little over an hour of spontaneous improvised duets for grand piano and soprano sax. That's all -- no synthesizers, no rhythm sections, just wistful, introspective, elevated musings between two erudite old friends that must have made the accountants at PolyGram reach for their Mylanta.
Hancock's piano is long on complex harmonies of the most cerebral sort, occasionally breaking out into a few agitated passages of dissonance. His technique in great shape,
Shorter responds with long-limbed melodies, darting responses to
Hancock's lashings, and occasional painful outcries of emotion. The leadoff track, "Meridianne -- A Wood Sylph," clearly takes off from a base of
Satie to set the reflective mood for nearly the whole CD; only the final, brief "Hale-Bopp, Hip-Hop" offers a hint of comic relief. All of the tunes, save for
Michiel Borstlap's "Memory of Enchantment," are
Hancock or
Shorter originals; some, like
Hancock's "Joanna's Theme" (from the film Death Wish) and
Shorter's "Diana," date back to the '70s. As avidly as this music was awaited and as wildly as it was acclaimed by critics, it doesn't really touch the emotions as deeply as the best of the pair's work together and apart. It stands as a graceful, high-minded anomaly in the output of both, but not something you would expect to pull off the shelf to hear too often. ~ Richard S. Ginell