There was a point between the release of
It's All True and
Big Black Coat when
Junior Boys seemed finished. Talk of a planned EP was heard in 2012. Nothing surfaced. Years passed. All along,
Jeremy Greenspan and Matt Didemus were succeeding with individual pursuits.
Greenspan was working closely with
Jessy Lanza and
Dan Snaith, and released solo singles on the latter's Jiaolong label. Didemus, who remained based in Berlin, issued productions of his own and launched Obsession Recordings. Their contractual obligation to Domino fulfilled,
Junior Boys went dormant for the longest period of their existence.
Greenspan, revitalized by his outside collaborations, eventually worked on
JBs material with Didemus' involvement, and together, the musicians knocked out their fifth album, released on
Greenspan's Geej label in his native Canada and on City Slang elsewhere. On
Big Black Coat, the duo dredge, as uniquely as ever, from a pool of old sources, including post-disco, early and raw Chicago house, and the bizarre art-pop of
Yellow Magic Orchestra (and graphically from
Jesus and Mary Chain's
Darklands). No two tracks sound similar, yet they all fit together. Take the almost minimalist "C'mon Baby," a chilling, droning acid house ballad that escalates slowly, immediately trailed by the intricate "Baby Give Up on It," a sun-splashed neo-boogie jam. One component that separates it from the four previous
Junior Boys albums is the lyrics, influenced by conversations
Greenspan has had with some male patrons of the bar/cafe/gallery he co-owns. Given the frequency with which
Greenspan uses "baby" as a term of endearment, it could be inferred that the material is very personal; all of it is directed at a "you," and none of it sounds disconnected, even the vocals are run through a battery of effects. Many of the lines can indeed be heard as thoughts of fanatical creeps. "You Say That," for instance, opens the album with "I've been waiting every single day, but you don't know, you don't know," then turns it up a notch with "There's a little piece of me inside you, but you don't know." Even
Bobby Caldwell's red-haired soul classic "What You Won't Do for Love," refurbished as a
Colourbox-meets-
Stock, Aitken & Waterman soundclash, takes on a darker hue; in this context, "Got a thing for you and I can't let go" faintly resembles a threat. Compulsive in more than one sense,
Big Black Coat contends with
Last Exit as
Junior Boys' deepest, most vibrant work. ~ Andy Kellman