98 Mute's second album is a dramatic improvement over the faceless punk-by-numbers of the band's debut, even though it remains hidebound by its genre restrictions. The songwriting is greatly improved, for one thing. The single "Breakdown" is genuinely great, an
Offspring-style piece of pop-punk that doesn't stint on the punk half of the equation even though it adds a catchy chorus and a memorable bass-driven riff to the usual shout-along. Producer
Fletcher Dragge, as before, keeps things sounding just a little too much like his own band,
Pennywise, although that group's funk metal moves are thankfully minimized here in favor of straightforward '80s-style skatepunk.
98 Mute will never win any awards for originality, but compared both to the band's listless debut and the schlocky pop of the likes of
blink-182 and
Sum 41,
Class of 98 is a definite step in the right direction.