While 2000's
Fly Me Back expanded
Brenda Weiler's acoustic sound with subtle hints of mellotron and greater percussion contributions,
Cold Weather is a full-on studio record. After the moody, storm and rainwater textures of opener "Faucet,"
Weiler returns to her acoustic troubadour roots for "Sacred" (as she does later for the seemingly live-to-tape "Weather I'm In"). However, the album's midsection consists of confident, tightly-arranged adult alternative folk-pop in the vein of
Jonatha Brooke or
Patty Griffin. The little silences of "Scatter" are broken by fuzzy electric guitar squelch, and
Weiler is joined by a group of male voices on the chorus. "California" ups the harmony ante and also brings in more of that robust electric guitar accompaniment, but its oddly mechanistic drums and
Weiler's own detached vocal performance give the track a faraway feel. It's much easier to sink into soft guitar and lullaby melody of "Out of the Blue," or the slight alt-country lilt of "Medicine."
Weiler also duets with Darren Jackson (aka
Kid Dakota) on his "Honolulu, Minnesota"; its pretty melody is tinged with the longing and sadness of separated lovers. No matter what the instruments on
Cold Weather are doing, it's
Weiler's ethereal voice -- somewhere between
Emmylou Harris and
Susanna Hoffs, maybe? -- that really sells the material. That, and her delivery, which punctuates words and phrases with a slight pinch and lets lines linger for a subtle, yet powerful effect.
Cold Weather -- it's folk or it's pop -- but most of all it keeps the small details in mind. ~ Johnny Loftus