Criss-Cross --
Thelonious Monk's second album for Columbia Records -- features some of the finest work that
Monk ever did in the studio with his '60s trio and quartet. Whether revisiting pop standards or reinventing
Monk's own classic compositions,
Monk and
Charlie Rouse (tenor sax),
John Ore (bass), and
Frankie Dunlop (drums) exchange powerful musical ideas, as well as provide potent solos throughout the disc. Fittingly, "Hackensack" -- a frenetic original composition -- opens the disc by demonstrating the bandleader's strength in a quartet environment. The solid rhythmic support of the trio unfetters
Monk into unleashing endless cascades of percussive inflections and intoxicating chord progressions. The title cut also reflects the ability of the four musicians to maintain melodic intricacies that are at times so exigent it seems cruel that
Monk would have expected a musician of any caliber to pull them off. "Tea for Two" showcases
Monk's appreciation for the great stride or "walking" piano style of James P. Johnson and Willie "The Lion" Smith. The arrangement here is lighter, and features a trio (minus
Rouse) to accent rather than banter with
Monk's splashes of magnificence throughout. Likewise,
Monk's solo on "Don't Blame Me" is excellent. The extended runs up and down the keyboard can't help but reiterate the tremendous debt of gratitude owed to the original stride pianists of the early 20th century. The 1993 compact disc pressing of
Criss-Cross sounds great and adds a version of "Pannonica" that was previously unissued at the time. Unfortunately, however, the liner notes originally used on the album jacket -- penned by "Pannonica"'s namesake, Baroness Nica de Koenigswarter -- were replaced by those of a writer for Rolling Stone magazine. This is prime
Monk for any degree of listener.