The title of this 1955 Savoy release by pianist
Duke Jordan succinctly points to the set's merits and shortcomings. The five trio performances with
Art Blakey (drums) and
Percy Heath (bass) work well. The five tracks from the same group augmented by
Cecil Payne (baritone sax) and
Eddie Bert (trombone) don't come up to the mark. For the trio tracks,
Jordan's elegant, swinging bop style is the main attraction, with
Blakey and
Heath providing appropriately understated support. "They Can't Take That Away From Me" and "Night in Tunisia" are each given fresh reworkings.
Jordan's upbeat "Forecast" and his meditative ballad "Sultry Eve" are strong originals.
George Gershwin's "Summertime," unfortunately, gets an undistinguished, overly literal reading. On the quintet tracks the focus wavers.
Jordan is too often relegated to conventional comping in the background.
Blakey's playing occasionally becomes cluttered and
Heath seems to lose interest. More problematic is the ineffective, bottom-heavy baritone sax/trombone combination.
Payne's and
Bert's parts generate little harmonic interest. The result is two horns doing no more than the work of one. As for the tunes, the pianist's "Flight to Jordan" and
Payne's "Cu-ba" offer respectable solos, while "Scotch Blues" is an awkward attempt by
Jordan to fuse a Scottish folk dance theme with straight-ahead blues. The blues passages are fine, but the scotch doesn't mix. There are some good moments on this CD, particularly from
Jordan and
Payne. Both the pianist and the baritone saxophonist, however, can be heard to better advantage on
Payne's 1956 set, Patterns of Jazz, where
Jordan, with
Tommy Potter (bass) and
Art Taylor (drums), shines in a consistently integrated and cohesive performance with
Payne. ~ Jim Todd