Kenny Chesney's voice has always been a remarkable instrument, capable of a wide range of emotional expression, despite
Chesney's subtle approach and laid-back delivery. On
Everywhere We Go, however, this unique talent seems wasted on too many cookie-cutter ballads and country-rock numbers that don't even pretend to rock.
Chesney is at his best on songs like "What I Need to Do," a
Don Henley-like mid-tempo pop song. The song's quietly desperate, regular guy lyrics fit
Chesney like a glove, and consequently make ridiculous country stud-muffin filler like "She Thinks My Tractor's Sexy" sound completely out of place. In its finest moments, this album recalls the work of
Don Williams. Unfortunately, these moments are rare; unlike
Williams,
Chesney seems afraid to explore the darker areas of his psyche and is content to wallow in Hallmark card emotional territory. The musicianship on
Everywhere We Go is superb (typical for Nashville studio cats), yet the players here -- like
Chesney -- have little meat in which to sink their teeth and, thus, sound a bit sleepy. ~ Pemberton Roach