Gilfema's follow-up to their excellent debut CD adds clarinetists
Anat Cohen and
John Ellis to the fray, expanding the sound of lead instruments on top of guitarist
Lionel Loueke's personalized concept. Where their initial recording (and
Loueke's trio that also includes extraordinary bassist
Massimo Biolcati and equally talented drummer
Ferenc Nemeth as heard on the Blue Note CD
Karibu ) was an intuitive jam style concept, this one sports an even deeper texture, buoyed by
Cohen's bright alto horn, and the bass clarinet undertow created by
Ellis. While the music is heavier and more contemporary in flavor, it loses none of the inventive and playful concept of
Gilfema's original collective vision. Where
Loueke in a leadership role features his compositions,
Gilfema equally splits up those chores. The bass clarinet of
Ellis works as a perfect underpinning for the band, whether shifting in funky mixed meters on "Question of Perspective," thrusting the band and
Loueke's wah-wah guitar through the 6/8 time of the near klezmer piece "Salome," or in kinetic fashion merging the best of two worlds in African depth and mainstream jazz swing 50/50 during "Cove."
Cohen's clear influence on
Loueke during the beautiful, serene, slight samba feature "One Mind's Eye" showcases her sweet voicings on an instrument that in modern times has few distinctive champions.
Loueke's presence is undeniable, as his personal, unique individualism playing guitar, singing, or oft times both, is the centerpiece on the shuffle strut "Your World" or the spare patient lines of "Morning Dew." He sounds very much like
Milton Nascimento on the 6/8 opener "Twins." The 6/8 beat is the favored rhythm of the group, fueling the lead ocarina of
Ellis during "LonLon Gnin," 10/8 is the witty choice for the New York neo-bop styled "Master of the Obvious," and the hip, exciting, and fun "Festa" is in 7/8. The point is this is not conventional two or four beat music, and cannot be pigeonholed on any level of Afro-pop music.
Gilfema is raising the bar of world music -- jazz with ethnic influences -- and is not so much an aside to
Loueke's major-label efforts or work with
Herbie Hancock as it is a logical extension of the many kinds of music he hears, and with this great group, collectively offers to all.