In the tradition of
Willie Dixon and
Willie Kent,
Burton leads his blues band from the electric bass guitar chair. He's an excellent singer -- like a more pronounced, forceful
B.B. King -- and his musical foundation on the bottom is immaculate. Brother Larry co-leads on guitar,
Dave Specter and
Lurrie Bell play seconds, and
Lester Davenport and
Billy Branch split duties on harmonica, as do drummers Tino Cortez and Vern Rodgers. The Chicago Horns are in on two cuts, and the marvelous pianist Allen Batts jams throughout. Larry Burton wrote two of the 11 numbers; the best is the definitive anthem "Stuck in Chicago," with the lyric "everyday it's the same/I work six nights a week/still no one knows my name" sung deliberately and frustratingly slow. "Good Idea at the Time" features group vocals over Batts' exceptional boogie-woogie piano and a slight New Orleans shuffle. The six
Aaron Burton tunes are highlighted by the horn-fired funky title track "Too Late to Apologize," the 12-bar "Southbound Train," and the totally downhearted "The Woman I Met Out in the Rain."
Branch stirs souls with his spine-shivering harmonica licks during the funky horn-driven "Good Blues" and the much slower "Marryin' Game." Classics like the
Albert King evergreen "I'll Play the Blues for You," "Next Time You See Me," and the tone-setting, feel-good kicker "No More Draggin'" prove
Burton's dedication to his idiom by recognizing and adding to these immortal blues tunes. This is
Burton's third album as a leader, after decades of backing up
Junior Wells,
Fenton Robinson,
Albert Collins,
James Cotton, and others. It may be hard to be a star behind a bass, but
Burton has succeeded, as evidenced by these "good blues." ~ Michael G. Nastos