The shorthand description of
I'll Be Your Girl,
the Decemberists' eighth album, is that it's the record where the band decide to ditch the past and engage with the modern world, layering their folk-rock with synthesizers and other contemporary accouterments. The intentional irony is, that this modern sound -- shepherded by producer
John Congleton, best-known for helming acclaimed albums by
St. Vincent,
Angel Olsen, and
Future Islands -- is predicated on the New Wave of the '70s and '80s, a sound that would seem like a throwback for nearly any other group, but in the hands of
the Decemberists, such swaths of synths provide a vibrant, colorful jolt.
Congleton doesn't merely expand the band's palette, he acts as an effective editor for
Colin Meloy, keeping the proceedings swift and clean. With most of the songs clocking in well under five minutes -- the opening "Once in My Life" and near-closing "Rusalka, Rusalka Wild Rushes," which stretches out over eight minutes, are the exceptions that put the rest of the record into perspective --
I'll Be Your Girl plays almost like a series of short stories, a feeling that is accentuated by how each cut feels like its own entity, yet the 11 songs form a tapestry. "Once in My Life" kicks off the record with washes of melancholy, "Severed" pulses to a rhythm straight out of
Gary Numan, "Starwatcher" is a throwback to classic
Decemberists ballads, "Your Ghost" gallops to a gothic beat, and "We All Die Young" is a glam stomp through and through. While
Meloy's lyrics are sharply honed and evocative, it's this cavalcade of sounds that not only makes
I'll Be Your Girl compelling, but distinctive among
Decemberists albums. ~ Stephen Thomas Erlewine