Barry Stramp was off doing other things, so
Michael Graham Allen, who builds many of the flutes he plays, is working here with percussionist
Michael Fitzsimmons. Less ethereal than previous
Coyote Oldman material, but still as gentle and inspirational. The Native American influences are still here, of course, but
Allen lets himself stretch out beyond those boundaries and into other images. A worthy follow-up to
Thunderchord.