Haley Fohr's experimental folk project
Circuit des Yeux has shown a remarkable amount of progress since its debut in 2008. Her earliest releases were noisy and nightmarish, with her bewitching vocals barely peeking out of the poorly recorded atonal din. Her albums, beginning with 2011's
Portrait, have brought her songwriting skills to the fore, showcasing her deep, stunning voice and disturbing lyrics, as well as her increased proficiency as a guitar player. While
Circuit des Yeux has always been a solo project, with
Fohr writing and recording most of the material and performing concerts by herself, 2013 full-length
Overdue featured extensive collaborations with other musicians, particularly
Cooper Crain of
Cave and
Bitchin Bajas, and was easily the most accomplished
CdY recording to date.
In Plain Speech,
Circuit des Yeux's 2015 Thrill Jockey debut, is yet another bold step forward, featuring lush orchestration and challenging arrangements. "Do the Dishes" balances
Philip Glass-like minimalism with subtle, suspenseful electronic textures, but provides plenty of space for
Fohr's chilling baritone voice, recalling doomy chanteuses from
Nico to
Jarboe, to resonate clearly. Eight-minute epic "Dream of TV" opens with delicately plucked and bowed strings as well as woodwinds and chimes, only to be overtaken by tape-damaged guitar feedback and dark, swirling layers of flutes before steadily pounding drums and
Fohr's haunting, wordless vocals join in during the song's crescendo. "Fantasize the Scene" recalls
Swans' late-'80s acoustic period, and "A Story of This World" is another extended epic, with gorgeous string and flute arrangements and startling vocals. Album-closer "In the Late Afternoon" tiptoes in softly, switching up midway to a shifting drum track playing an inventive yet comfortable rhythm.
Fohr's lyrics, as direct as the album's title suggests, are more uplifting and empowering than previous albums, which often resembled torch songs and murder ballads; "Do the Dishes" offers the encouraging statement "there is something deep inside of you, something that's worth reaching into," and "In the Late Afternoon" reassures that "it's never too late."
In Plain Speech is an exciting, powerful album, and a major advancement for an artist whose vision is too grand to remain confined to lower production values.