Dudley Perkins had been rapping for years before he made his solo debut as
Declaime, with 1999's
Madlib-produced
Illmindmuzik. He made his name and presence known through appearances on
tha Alkaholiks'
Coast II Coast and
Lootpack's
Soundpieces: Da Antidote!, but he was productive throughout the decade, constantly recording abstract, freestyle-heavy material that remained little-heard outside of the burgeoning Oxnard, California hip-hop scene. In 2020,
Declaime digitally issued Illminded, a collection of 24 untitled, extremely lo-fi tracks sourced from a long-forgotten cassette that had been rotting away in a friend's dungeon for decades, all produced by
Madlib circa 1993-1994.
In the Beginning, Vol. 1, released through
Perkins and
Georgia Anne Muldrow's SomeOthaShip Connect in 2021, mines a similar time period (expanding to 1996), and also consists of previously unheard
Madlib productions, but it's relatively more polished and far more concise, while still maintaining the off-the-cuff spontaneity of a freestyle session taped off of a late-night college radio broadcast. The album actually starts right in the middle of a
Madlib guest verse, as if one side of the tape ran out and it was hastily flipped over. He and
Declaime casually deliver lyrics about dealing with problems and stress over a slow, swinging beat, while subtle vocal effects and scratches add an aura of trippiness. "One on One Remix" incorporates samples of cinematic strings and a sound resembling a duck's quack, as
Declaime boasts about his lyrical prowess. "Madman" is easily one of the strangest and most creative tracks here, with
Declaime adopting a demonic voice and a dark flow bearing traces of
ODB,
Busta Rhymes, and early
Three 6 Mafia, with
Madlib sneaking in what sounds like a
Sun Ra sample during the song's outro. "Black" has the album's most direct lyrics, addressing systemic racism and the struggle for equal rights, asking "How long will the devil system last?" in the song's chorus. A few of the tracks have nearly identical beats, and others clearly sound like rough sketches, making the release sound much closer to an unearthed demo than a lost classic. Even still, it's plainly obvious that
Declaime and
Madlib were visionaries right from the start, and these early recordings are the seeds from which their innovative careers sprung forth. ~ Paul Simpson