Fenwick's only solo album, recorded with
Elton John's rhythm section (
Dee Murray on bass and
Nigel Olsson on drums), touches on a lot of facets of British rock circa 1970 --
Traffic-like folk-rock, country-rock,
Paul McCartney-ish melodic bits, and rumbling, pedestrian boogie -- without really getting anywhere. Much of the material was inspired by his travels in the U.S., and there are some quasi-suites supposed to reflect journeying through the American landscape, but the execution is unremarkable. The 1997 CD reissue adds five bonus tracks.